Ebook Free Messiah: The Composition and Afterlife of Handel's Masterpiece, by Jonathan Keates
Ebook Free Messiah: The Composition and Afterlife of Handel's Masterpiece, by Jonathan Keates
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Messiah: The Composition and Afterlife of Handel's Masterpiece, by Jonathan Keates
Ebook Free Messiah: The Composition and Afterlife of Handel's Masterpiece, by Jonathan Keates
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Review
Wall Street Journal "Delightful...This richly illustrated book is like a lively performance of the piece itself...Capture[s] the essence of Handel's magic.""With its astute commentaries on the operas, this book makes a brilliantly lucid guide to Handel's evolving art." ―Independent (UK)"Keates is an enthusiastic, serious and careful writer.... The author clearly knows what he is talking about, and illuminates what we thought we knew." ―Guardian (UK), Book of the Week"However you like to hear your Messiah, you should enjoy it more for reading Keates's lucid guide...his analysis is taut and his narrative skillfully concise." ―Times (UK)Christianity Today"One strength of Keates's book is the reminder that it is not only the music of Messiah that is extraordinary. So is the libretto, penned by Charles Jennens...Keates's book does what it needs to do in awakening an urge to hear Handel's masterwork again, and now with a bit deeper understanding."The Deseret News"Keates illuminates the biography of this famous oratorio...Messiah's life story is one of humble beginnings, soaring successes, controversial adaptations, and eventual redemption, not unlike the scriptures from whence it came."
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About the Author
Jonathan Keates is a distinguished and prize-winning biographer, novelist and travel writer, and author of the biographies Handel and Purcell. He is chairman of the Venice in Peril fund and a fellow of the Royal Society of Literature. He won both the James Tait Black Memorial Prize and the Hawthornden Prize for his collection of short stories, Allegro Postillions (1983). Jonathan Keates is a regular contributor to the Observer (UK) and the Times Literary Supplement (UK) among a number of other publications.
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Product details
Hardcover: 176 pages
Publisher: Basic Books (October 24, 2017)
Language: English
ISBN-10: 1541697359
ISBN-13: 978-1541697355
Product Dimensions:
5.4 x 0.8 x 7.9 inches
Shipping Weight: 9.1 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#625,493 in Books (See Top 100 in Books)
Already know lots about the Messiah - sung several arias, etc. and with groups. So, this was a good, fast read that added some info about how it had morphed over the centuries in its performance style. Highly recommend it for the non-musician, as it doesn't get bogged down in key setting analysis, etc., which only music afficienados and music students would find interesting. Great first read for someone wanting a jumping off point.
Much interesting information on MESSIAH! highly recommended for anyone interested in Handel and his MESSIAH.
Very clear and vibrant sound.
In recent years, there have been a number of books on the subject of this well-loved Handel oratorio. In fact Amazon lists three other books that examine the oratorio from different angles. This relatively new Keates book is aimed at a wider audience compared to the Burrows monograph in the Cambridge Music Handbooks series. One thing I like about it is that it considers the words and music and offers some profiles of the people who created and took part in the first performance and the repeat performances during Handel's lifetime.Keates starts his book by introducing readers to Handel in 1741 before shifting his narrative to Dublin, where the oratorio was first presented. As the book progresses, he introduces some of the musicians and singers who took part in the first performance and profiles Handel's collaborator Charles Jennens, who put the libretto together in the first place. The second half is taken up by an analysis of the libretto and the music, a recounting of the revivals during Handel's lifetime, and the reception of the work after Handel's death.I am fond of Keates's approachable yet erudite writing style. His writing makes audiences feel at ease regardless of their music background. It is less dry than some academic books that have been written on the subject. However, I did feel that Keates could have improved the flow and the focus of the book. I am not doubting his erudition, but I did feel that he spent a bit more time than is necessary offering profiles. It would be easy for readers to be exhausted by the time they reach the really important part about why the oratorio matters. Also, I felt that he could have improved the flow of the book by trimming and re-ordering parts of his content. I felt that he could have shortened the chapters that deal with the oratorio genre and Handel's journey to Ireland. At the same time, I felt he could have brought the Charles Jennens chapter forward,, after the oratorio chapter. Jennens is an important figure in the story of Messiah, and it wouldn't be fair for readers to wait till the fifth chapter to meet him. I think these things might have made the book flow more smoothly for readers.Despite my concerns, I think this is still a nice little book about the Handel oratorio that general audiences will enjoy. It is erudite, holistic and engaging to general audiences. At the price it is going it would make a nice companion piece to any recording of the oratorio.
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I rally hopes for a fascinating tale about Handel’s masterpiece. Instead I got a poorly constructed and terribly written piece. Then sentences are, at times, indecipherable. And the structure of the story seems to jump from one thought to another. The only way I got through this book was knowing it was short.
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