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Word by Word: The Secret Life of Dictionaries, by Kory Stamper

PDF Ebook Word by Word: The Secret Life of Dictionaries, by Kory Stamper

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Review

“[An] eloquent love letter to letters themselves. . . . A cheerful and thoughtful rebuke of the cult of the grammar scolds.” —The Atlantic“Both memoir and exposé, an insider’s tour of the inner circles of the mysterious fortress that is Merriam-Webster. Stamper leads us through her own lexicographical bildungsroman, exploring how she fell in love with words and showing us how the dictionary works, and how it interacts with the world that it strives to reflect.” —Adrienne Raphel, The New Yorker“As a writer, Stamper can do anything with words. . . . You will never take a dictionary entry for granted again.” —Mary Norris, best-selling author of Between You & Me: Confessions of a Comma Queen   “A fascinating, even enthralling, examination of the way words actually work in our language, warts and all.” —The A.V. Club“An unlikely page-turner. . . . Stamper displays a contagious enthusiasm for words and a considerable talent for putting them together.” —The New Yorker   “Word by Word cherishes the dexterity involved in making dictionaries, and . . . proves refreshingly attentive to its human stories. Part of its quirky charm is a delight in the idiosyncrasies of others—not least Merriam-Webster’s many correspondents.” —The Wall Street Journal   “Packed with the kind of word-lore that keeps readers and writers up late at night: Where do our words come from? How and why do their meanings change year to year, century to century?” —The Dallas Morning News   “Great fun. . . . [Stamper] brings both zest and style. . . . An exuberant mash note to language.” —The Times Literary Supplement   “[Word by Word] mixes memoiristic meditations on the lexicographic life along with a detailed description of the brain-twisting work of writing dictionaries.” —The New York Times   “Anyone who loves words or has opinions about them will have fun in this sandbox of a book.” —The Washington Times   “A delectable feast. . . . [Stamper] declaims elegantly on the beauty and necessity of dialect, how to evaluate emerging words, and many other topics. [She] is at her best when entertaining the reader with amusing etymologies, celebrating the contentiousness of grammar, and quoting annoying emails from an opinionated public,” —Publishers Weekly (starred review)   “Fascinating. . . . Part memoir, part workplace chronicle and part history lesson.” —The New York Post   “A lexicographical bildungsroman. . . . [Stamper] presents passionate, precise, good-humored (and bad-humored) descriptions of every stage of the process that goes into making an entry.” —The Chronicle of Higher Education   “[Word by Word] entertains as much as it instructs.” —Baltimore Sun   “A captivating book.” —Lincoln Journal Star   “Idiosyncratic and engaging.” —The Gazette (Cedar Rapids, IA)   “A smart, sparkling and often hilarious valentine to the content and keepers of dictionaries. . . . A paean to the craft of lexicography.’” —Shelf Awareness   “A funny inside look at how new words make their way into dictionaries, an irreverent take on the history of English itself, and a memoir of [Stamper’s] own journey.” —Daily Hampshire Gazette   “[A] marvelous insight into the messy world behind the tidy definitions on the page. . . . By turns amusing, frustrating, surprising, and above all, engrossing. It is perhaps unsurprising, given her line of work, that Stamper employs words with delightful precision in her writing.” —Booklist

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About the Author

Kory Stamper is a lexicographer who spent almost two decades writing dictionaries at Merriam-Webster. Her writing has appeared in The Guardian, The New York Times, New York Magazine, and The Washington Post, and she blogs regularly on language and lexicography at www.korystamper.com.

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Product details

Paperback: 320 pages

Publisher: Vintage; Reprint edition (March 6, 2018)

Language: English

ISBN-10: 9781101970263

ISBN-13: 978-1101970263

ASIN: 110197026X

Product Dimensions:

5.1 x 0.7 x 8 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

240 customer reviews

Amazon Best Sellers Rank:

#23,379 in Books (See Top 100 in Books)

I heartily recommend this book; Kory is utterly hilarious, and there's a lot of interesting background about language in there as well. I didn't think it was possible to make lexicography as amusing as she did. She is a brilliant writer and a talented lexicographer who has managed to sum up both the transcendental joy in working with words and the moments of frustration (and occasional despair).This book is a distillation of all of the best parts of the job; it made me fiercely miss being a lexicographer, but it was 100% accurate.

For many people, the dictionary is a relic once used by grandparents and is now, in its retirement, relegated to the dishonorable position of dust-covered doorstop. Lexicographers – those quiet, anti-social compilers of dictionaries – are, presumably, a thing of the past. Not so, proclaims Kory Stamper, longstanding lexicographer for Merriam-Webster. In this rousing debut that unveils the complicated craft of defining words and the science of unearthing the etymological origins of their meaning, Stamper proves the dictionary is a lexical reference that’s long been taken for granted.Stamper sets the tone in her opening chapter, giving readers a first taste of what’s to come: a candid portrayal of the ins and outs of lexicography, delivered with sharp wit and exactitude. Recalling the day she was hired by Merriam-Webster, Stamper invites readers to the hushed confines and inelegant cubicles of the “modest two-story brick building” in Springfield, Massachusetts where word mavens work, in some instances for months at a time, to extricate the definition, pronunciation, and etymological origin of individual words. Such work requires a reverence for the English language not found in the average person."Lexicographers spend a lifetime swimming through the English language in a way that no one else does; the very nature of lexicography demands it. English is a beautiful, bewildering language, and the deeper you dive into it, the more effort it takes to come up to the surface for air."Wading through the English language to pinpoint the perfect definition of a word requires a noiseless work environment. The “weird sort of monastic” devotion lexicographers give to the English language, and their hallowed approach to the daily challenges of providing the public with an up-to-date dictionary, lends itself to a work space that demands people speak in whispers and celebrate their lexical triumphs with silent fist pumps. How else, Stamper asks, could a lexicographer be expected to determine the difference between the words measly, small, and teensy?"There’s nothing worse than being just a syllable’s length away from the perfect, Platonic ideal of the definition for “measly,” being able to see it crouching in the shadows of your mind, only to have it skitter away when your co-worker begins a long and loud conversation that touches on the new coffee filters, his colonoscopy, and the chances that the Sox will go all the way this year."Colonoscopies are just the beginning of Stamper’s comedic contributions. She blends sophistication with humor at every turn, making the act of reading about dictionaries an absolute delight. Stamper was drawn to the life of a lexicographer, she asserts, recounting an incident when she embarrassed her daughter in public:“Are you taking pictures for work again?”“Just one.”“Oh my God,” [my daughter] moaned, “can you ever just, like, live like a normal person?”“Hey, I didn’t choose the dictionary life – ”“Just stop – ”“ – the dictionary life – ”“MOM –”“ – chose me,” I finished, and she threw her head back and sighed in exasperation.Many of Stamper’s amusing asides are delivered as footnotes, such as her reaction to the 1721 edition of Nathaniel Bailey’s An [sic] Universal Etymological English Dictionary, whose subtitle goes on for another two hundred and twenty-two words and garners Stamper’s facetious remark: "They sure don’t title dictionaries like they used to."facetious \ fuh-see-shuh s \ adj: 1: not meant to be taken seriously or literally 2: amusing; humorous 3: lacking serious intent; concerned with something nonessential, amusing, or frivolous.It stands to reason that a person who specializes in defining words would demonstrate an exemplary understanding of the English language, and Stamper more than proves herself a talented wordsmith. Her use of ten-dollar words is employed in a friendly manner. Some words are defined in the footnotes, while others remain undefined and will, fittingly, send many readers running to the dictionary. While the procedure for compiling defined words into a viable resource is fascinating, Word by Word would not be as entertaining were it not infused with Stamper’s snarky personality.The work of a lexicographer, however, requires that the person – rather, the lexicographer’s personality – be removed from the equation. “You must set aside your own linguistic and lexical prejudices about what makes a word worthy, beautiful, or right, to tell the truth about language,” Stamper explains, because writing definitions isn’t about making hard and fast rules for a word – as so many people are inclined to think – but rather, it’s an act of recording how words are being used in speech and, more importantly, in publications.The common misperception that lexicographers are the definitive authority on the English language – whose definitions and pronunciations of words are akin to law ordained by divine beings – has resulted in more than a few letters being sent by confused or outraged individuals to Merriam-Webster’s physical and digital inboxes. Perhaps the most compelling example of this concerns the 2003 release of the Eleventh Collegiate dictionary in which the word “marriage” was redefined to include the sub-sense (a secondary meaning of a word): "the state of being united to a person of the same sex in a relationship like that of a traditional marriage." This new sub-sense was added because in the late 1990’s, when revisions to the Collegiate Dictionary began, the issue of same-sex marriage was widely debated, prevalent not just in speech but also in nearly every major news publication.Six years after its publication, one person noticed the new sub-sense in the Eleventh Collegiate dictionary’s definition of “marriage,” took offense to it, and launched a fiery write-in campaign that inundated Stamper’s inbox with hundreds of complaints and accusations against Merriam-Webster, along with numerous threats to harm Stamper. These angry letter-writers maintained a strident adherence to the misconception that lexicographers somehow shape language, culture, and religion. Further, they failed to understand that the very act of writing about gay marriage (regardless of the vehemence they assigned to the idea of same-sex couples being legally wed) worked to create citational evidence of the word “marriage” being widely used in relation to gay couples. In other words, the efforts made by the appalled letter-writers indirectly worked to validate that the word “marriage” had, in fact, been due for a revisal of its definition to encompass its many usages.From dealing with irate letter-writers to spending months teasing out the proper definition of overly complicated words like “is” or “a,” the work of a lexicographer is thankless. Lexicographers don’t have their names assigned to the dictionaries on which they work tirelessly. And the English language, fluid in nature and ever changing, never stops demanding that dedicated word connoisseurs hunch over their desks and puzzle out the most effective definition to encapsulate a words new usage."When the dictionary finally hits the market, there is no grand party or celebration. (Too loud, too social.) We’re already working on the next update to that dictionary, because language has moved on. There will never be a break. A dictionary is out of date the minute that it’s done."Word by Word is a sublime romp through the secret life of dictionaries; a guaranteed rapturous read for word lovers, grammar fanatics, and linguists.

When you think of dictionaries, chances are good the ones that would come to mind are the Merriam-Webster Collegiate and the Oxford English Dictionary (as well as whatever comes up online). Did I get that right? Certainly, those are the two most commonly consulted by educated American readers. If you're a curious sort, you might wonder how all the words and definitions find their way into the pages of those dictionaries. Well, wonder no more! The lexicographer Kory Stamper of Merriam-Webster, Inc., has written Word by Word, a delightfully profane and often hilarious account of how she and her colleagues work to update their dictionaries, not just the Collegiate but the online Merriam-Webster Unabridged as well (the successor to the old Webster's Third New International Dictionary).Stamper is passionate about her work. "The more I learned," she writes, " the more I fell in love with this wild, vibrant whore of a language." Her book abounds with charming examples of the intensity she and other Merriam-Webster editors bring to their jobs. And no wonder: it's clearly hard work.Unless you're already familiar with the ways and means of lexicography, you'll be amazed at the extraordinary pains the Merriam-Webster staff sometimes takes simply to define a single word. "By the time a word is put in print either on the page or online, it's generally been seen by a minimum of ten editors." Stamper describes the process, step by step, in language so lively you'll never think about the world of dictionaries as stuffy ever again. "What appears to be a straightforward word ends up being a linguistic fun house of doors that open into air and staircases that lead nowhere," she writes. For example, at one point Stamper's job was to revise the definition of "take." That seemingly simple word, it turns out, means twenty different things. Sorting through all the citations set aside to illustrate those different definitions was a Herculean task. It required "a month of nonstop editorial work." But when Stamper bragged (or complained) to a table-full of editors at a dinner about the length of time she'd invested in a single word, a lexicographer from the Oxford English Dictionary was amused: "'I revised "run," he said quietly, then smiled. 'It took me nine months.'" Stamper explains: "Of course it [took nine months]. In the OED, "run" has over six hundred separate senses [definitions] . . ."And yet language, especially English, changes far more quickly than lexicographers could ever possibly keep up, Stamper explains. "A dictionary is out of date the minute that it's done."In an extended discussion of English grammar, Stamper will disabuse you of any lingering notion that ours is a tidy and rational language. With example after example, she demonstrates the sheer illogic of the rules of grammar. "[W]here do these rules come from, if not from actual use?" she asks. "Most of them are the personal peeves, codified into law, of dead white men of yore . . . Standard English as it is presented by grammarians and pedants is a dialect that is based on a mostly fictional, static, and Platonic ideal of usage." (The italics are Stamper's.)Throughout her book, Stamper is free with profanity. For example, she drops the "f-bomb" 17 times. At one point she explains that the profanity is to make her come across as cooler than she is.There are plenty of surprises in Word by Word. "As you go through the written record, you'll find that Shakespeare used double negatives and Jane Austen used 'ain't.' You'll find that new and disputed coinages have come in and have not taken away from the language as it was used, but added to it; that words previously considered horrendous or ugly—words like 'can't'—are now unremarkable."If you love language, you'll be enchanted by this brilliant and funny book.

One of the best reads I've had in a long, long time. Never knew lexicography could be so interesting - but a good storyteller with a wicked sense of humor helps. I've owned printed dictionaries before (even had a copy of the venerable Encyclopedia Britannica once) but seldom used them for jobs other than holding doors open. Now I really understand what they do and why one needs them. I now find myself far more discerning about exact usages and really love where this "mongrel" English language has been rummaging through history. I particularly like the sense of freedom I now have speaking "me" and feel liberated from the so-called "peeves of dead old white men". You have to read the book to understand that last comment. It's a wink to the author from me.

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