Download Ebook The Rural Life, by Verlyn Klinkenborg
Download Ebook The Rural Life, by Verlyn Klinkenborg
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The Rural Life, by Verlyn Klinkenborg
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From Publishers Weekly
Klinkenborg's third book (after Making Hay and The Last Fine Time) is a selection of columns originally appearing on the New York Times editorial page under the heading "A Rural Life." They document in vivid detail the daily challenges of life in the country, and on a farm in particular. Though the columns are drawn from seven years of writing, the book is organized into a single year-12 chapters starting in "January" and ending in "December"-and flits from topic to topic, relying on a few short passages of news or descriptions of holidays to mark the passage of time. Likewise, the author never sticks to one place for long, but ranges across the continent of the U.S. and glimpses events in dozens of country towns from Wyoming and New Hampshire to Minnesota and New Mexico. Some episodes are emblematic of contemporary American culture: a high school football game, President Clinton's dedication of Walden Pond, the disquiet in the days following September 11. Others are more intimate passages discussing the author's family and the solace he finds in keeping bees, stacking hay or simply turning earth. Though this highly personal chronicle lacks any narrative arc other than the changing of the seasons and the author's emotional reaction to them, nothing in the prose is accidental, and the deliberate, finely hewn sentences convey, above all else, the seriousness with which Klinkenborg takes the task of watching the world around him. A heady meditation on our relationship to nature, echoing the works of the transcendentalists Thoreau and Emerson, the writing is much closer to poetry than essay.Copyright 2002 Reed Business Information, Inc.
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From Library Journal
Klinkenborg is a member of the editorial board of the New York Times and author of Making Hay. This collection of essays, most of which have previously been published in the NYT and elsewhere, describe his experiences of rural life, from his farm in upstate New York and in the American West. When a book is a compilation of essays, it can often suffer from a lack of continuity or context. While these selections are gathered according to month, they leap from geographic locations without regard to year; in fact, there is no indication of when they were written (except a couple references to 9/11). Klinkenborg explains: "If spring seems to be well advanced on one page and balky and weeks behind on the next...I'm probably describing two very different springs." Because he writes so well, one can endure the bumpy ride. Recommended for public and academic libraries.--Lee Arnold, Historical Soc. of Pennsylvania, PhiladelphiaCopyright 2002 Reed Business Information, Inc.
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Product details
Hardcover: 224 pages
Publisher: Little, Brown and Company; 1st edition (December 2, 2002)
Language: English
ISBN-10: 9780316741675
ISBN-13: 978-0316741675
ASIN: 0316741671
Product Dimensions:
6 x 0.9 x 8.8 inches
Shipping Weight: 12.3 ounces
Average Customer Review:
4.8 out of 5 stars
36 customer reviews
Amazon Best Sellers Rank:
#235,369 in Books (See Top 100 in Books)
I have a confession to make: I am a huge fan of Verlyn Klinkenborg, so I am a totally biased reviewer. His writing fuses together the transcendental writing of a great poet and philosopher with the practical, no-nonsense outlook of an experienced farmer/rancher. The result is a persona and a sensibility that is at once ethereal and mundane. Or said a better way, he has a way of seeing makes the mundane ethereal. He makes the prosaic lyrical and the lyrical prosaic, moving back and forth effortlessly, or rather in a way that looks effortless but is really quite crafty. For people who do not know the rural life, he opens it up to them with passion, authenticity and intimate beauty. Klinkenborg was born in Colorado where I was raised and now live, which is a big point in his favor, in my view. He was raised in Iowa and California, in a long line of family farmers that traces it roots back to Germany. He has a Ph.D. in English literature from Princeton and is a member of the editorial board of the New York Times, where his essays are widely read and admired. But this book and its equally admirable sequel, More Scenes from the Rural Life, represent the best of his work. His writing has a muscularity and a leanness to it that come from relatively short sentences and a very sparing use of adjectives. The result is, when he does allow himself an adjective, it stands out brilliantly, like a Christmas ornament on a bare bough in winter. Here he describes a violent storm in Wyoming: “Some clouds had become castellated, and others had been beaten into sheets of lead or folded back upon themselves again and again like Damascus steel. The galactic jets of the deep universe were present and so were the nebulae. So too was the tight, blue-tinted hairdo of a matron marching westward in dudgeon across the sky. She canted over the sagebrush flats, hit an updraft, and was teased into nothingness.†Here, more philosophically, he reflects on gardening and how nature rescues the gardener: “A garden is just a way of mapping the strengths and limitations of your personality onto the soil. It would be too much to bear if nature didn’t temper a gardener’s ambition or laziness with her own unsolicited abundance.†If I were a university professor, I would teach a class I would call “American Transcendental Land.†The books for the course would be: Thoreau’s "Walden" and perhaps also his "A Week on the Concord and Merrimac Rivers", Rowlands’ "Cache Lake Country", Leopold’s "A Sand County Almanac", both of Klinkenborg’s "Rural Life" books, and either a book of verse from Wendell Berry or his magnificent novel "Jayber Crow". Until I get that all set up, there is nothing stopping you from reading these magnificent texts.
Verlyn Klinkenborg is a perfect writer. I can see myself in his house and wandering around his property in the snow. I have never lived where it snowed as much as it does in upstate New York but I would like to try for a while. I would have to adopt his attitudes first. I know he is familiar with the west but I didn't care for those sections of the book as much as the up state New York sections. I just have never wanted to visit those sections of the country. He never said if he decided to raise pigs. I hope not unless they were pets. Mr. Klinkenborg is an exceptional writer and I hope he writes forever.
I have been reading, and loving, Verlyn Klinkenborg's books since The Last Fine Time, and The Rural Life delivers the same luminous prose that so defines his writing. These beautifully crafted essays describe life on a farm, but they also exquisitely limn a mind present to the ebb and flow of nature and community. Like the "suppleness of light" Klinkenborg notes in late October, his gifts with language capture the glow of the ephemeral before it slips beneath the horizon of another day, another season; like the "intermittent, staccato whine" of a cricket, these essays anchor us at once to the personal and the universal, with phrasings as reassuring as a front porch and as pursued as true North. A beautiful book.
When I read Verlyn Klinkenborg I'm overcome with a deep sense of peace. I loved his work in the New York Times; this book is all that and more.
Love his writing! Moved to the country myself and enjoy his shared experiences. He's a fine writer
I love this writer, but actually prefer his later work, I think it's called "More Rural Life." He writes beautifully.
Verlyn Klinkenborg has an amazing way of writing about country life and not just on his upstate farm but all over the country -- I have ordered two more of his books just so I can enjoy his lyrical style.
My husband is reading "The Rural Life" and enjoying it immensely. The writing is very good and largely free from the initial conjunctions that plague most contemporary prose. The essays are reminiscences on life inspired by countryside dwelling, and are insightful and unfailingly entertaining.
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