PDF Download M. de Garsault’s 1767 Art of the Shoemaker: An Annotated Translation (Costume Society of America Series), by François A. de Garsault
PDF Download M. de Garsault’s 1767 Art of the Shoemaker: An Annotated Translation (Costume Society of America Series), by François A. de Garsault
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M. de Garsault’s 1767 Art of the Shoemaker: An Annotated Translation (Costume Society of America Series), by François A. de Garsault
PDF Download M. de Garsault’s 1767 Art of the Shoemaker: An Annotated Translation (Costume Society of America Series), by François A. de Garsault
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From the Inside Flap
Tens of thousands of shoemakers worked in eighteenth-century Paris and London, but if any wrote about their trade before M. de Garsault in his 1767 Art du cordonnier, nothing survives. Surprisingly little scholarship has been published since, until this richly contextualized translation. Informing this edition are D. A. Saguto's extensive notes and incisive examinations of eighteenth-century German and Italian sources as well as later French editions of Garsault's work. The result is an elegant illumination of artisanship and practices that otherwise might have been lost. Art of the Shoemaker returns us to a world where shoes, like most other goods, were made by hand with time-honored techniquesfrom preparing threads and shoemakers' wax to the stitch-by-stitch use of the awl and the proper making of an inseam. Complementing Garsault's original copperplate images are contemporaneous illustrations and hitherto unpublished photographs of eighteenth-century tools and artifacts. Also included are a facsimile of the original French text, translations of other eighteenth-century writings on shoemaking, a glossary of eighteenth-century terms, and suggested further reading. As master boot- and shoemaker Ernest W. Peterkin comments in his foreword, Art of the Shoemaker offers solid foundation and new appreciation for students of costume, artists, collectors, archaeologists, and future artisans.
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From the Back Cover
Illustrated with additional eighteenth-century images and artifactsTens of thousands of shoemakers worked in eighteenth-century Paris and London, but if any wrote about their trade before M. de Garsault in his 1767 Art du cordonnier, nothing survives. Surprisingly little scholarship has been published since, until this richly contextualized translation. Informing this edition are D. A. Saguto’s extensive notes and incisive examinations of eighteenth-century German and Italian sources as well as later French editions of Garsault’s work. The result is an elegant illumination of artisanship and practices that otherwise might have been lost.Art of the Shoemaker returns us to a world where shoes, like most other goods, were made by hand with time-honored techniques—from preparing threads and shoemakers’ wax to the stitch-by-stitch use of the awl and the proper making of an inseam. Complementing Garsault’s original copperplate images are contemporaneous illustrations and hitherto unpublished photographs of eighteenth-century tools and artifacts. Also included are a facsimile of the original French text, translations of other eighteenth-century writings on shoemaking, a glossary of eighteenth-century terms, and suggested further reading.As master boot- and shoemaker Ernest W. Peterkin comments in his foreword, Art of the Shoemaker offers solid foundation and new appreciation for students of costume, artists, collectors, archaeologists, and future artisans.
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Product details
Series: Costume Society of America Series
Hardcover: 304 pages
Publisher: Texas Tech University Press; 1st edition (September 1, 2009)
Language: English
ISBN-10: 0896726509
ISBN-13: 978-0896726505
Product Dimensions:
9 x 1.2 x 11.2 inches
Shipping Weight: 4.1 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#998,642 in Books (See Top 100 in Books)
This book.. I'm not yet sure what to say about it. It has some decent information, but if you were to try and use it to make a pair of shoes, I'm not sure you'd have much luck. There's other stuff on the market that I think yields more information, better pictures, and better idea of the overall process than this one. To be fair, I wouldn't say you shouldn't own it. It's interesting to read about the Royal Society, and why they did what they did back then of archiving and talking about each craftsman's process, but ultimately, you couldn't find half the tools they used, and even if you could you might not want to use them for various reasons.Buy it, enjoy reading words from 400 years ago. Don't expect to make a pair of shoes through it.
This is a classic in 18th century shoe making translated by one of the current experts in the filed. This is a treasure for anyone involved in costuming or re-enacting of any sort.
Fantastic book. This book provides excellent information on 18th century shoe making. With no prior knowledge it would certainly be a challenge to create a pair of shoes from this (or any) book but it non the less provides an unparalleled amount of detail and instruction. Includes both the translation and original text as well as illustrations and photographs. The translation is clear and easy to follow though it does contain a certain amount of vocabulary specific to the trade and era.
Super!!!
De Garsault's original eighteenth-century work on shoemaking and shoes found in facsimile here is much enhanced by scholarly notes to the English translation; excerpts on shoes from other historical writings; annotated introductory material on the history of shoemaking; color photographs of tools, materials, and finished shoes with informed annotations to complement the simpler, plainer illustrations of the original work; a glossary of nearly 20 pages; and extensive bibliography and section of suggestions for further reading. One would not know there was so much to shoemaking, as a glance through the glossary with its many technical and some foreign words and terms attests. All of this is in book of the highest production quality with marbled endpages, expert color photographs (as in a museum catalog), and appealing design and format.The purpose of the 1700's publication of the now-classic work was as a documentation and reference on the art and crafts of shoemaking. As a Henri-Louis Duhamel du Monceau asks in his "Forward" in the original as a way of stating the purpose, "Can not one expect new levels of perfection in the arts when scholars, practiced in their different branches of the physical sciences, take the trouble to study and elucidate the often ingenious operations that the artisan carries out in his workshop?" De Garsault's "Art of the Shoemaker" was an illustrated text and manual meant to preserve and make widely available skills and techniques for making shoes in the decades preceding the Industrial Age when many of these operations would come to be done by machines. The French Royal Academy of Sciences could not have foreseen this; but they recognized that society and industry were changing to meet a growing demand for everyday consumer goods from an increasingly democratic, bourgeois class able to purchase and appreciate these. As du Monceau elsewhere explains, "The academics should further apply themselves to clarifying practice in order to subject a number of delicate operations, which depend entirely on the accuracy of the eye or hand and the success of which are only too often uncertain, to certain rules." Author De Garsault accomplishes this sparing no detail. The "delicate operations" depending on "the accuracy of the eye or hand" were like instructions for the design of shoemaking machines in the coming Industrial Age. The translator's Introduction notes, "Mechanization of shoemaking began in the United States"; although this was not not completed until late in the nineteenth century.The text, illustrations, and Saguto's rich annotations, many of which are like short essays, make for fascinating reading by anyone with an interest in social history, the history of crafts, and in clothing and costume. This "Art of the Shoemaker" is a recent addition to Texas Tech University Press's outstanding and growing series of exceptionally well-illustrated works with content that is both engaging and scholarly relating to what is termed "material culture." Other recent books cover sunbonnets and spurs. Readers and students of social history, consumer goods, manufacturing history, historical crafts, and like topics want to be keeping up with what this publisher is putting out in this field.
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